I’ve always been drawn to plays with enigmatic titles. Some writers have a particular flair for this, Philip Ridley being easily the best (Pitchfork Disney, Mercury Fur, Piranha Heights). The Royal Exchange has some form in this area; I got excited...
Tim Foley won the 2017 Bruntwood Prize Judges’ Award with his sci-fi comedy, Electric Rosary. Ahead of the play’s world premiere on the Royal Exchange main stage he talks to Carmel Thomason about writing, coffee and robotic nuns Writer Tim...
Driftwood arrives at Lowry for the end of its tour to a sell-out audience, such is the anticipation of seeing Tim Foley’s latest work. The emotional two-hander is the second play from the Bruntwood Prize winner, whose Electric Rosary was staged at...
Steve Timms
Carmel Thomason