The one-woman show examines identity, validation and the cost of sharing in the digital age. Quays Life meets Claire ahead of her performance at Waterside Arts Centre to find out more:

What is See-Through about?

See-Through follows the journey of a 29-year-old, out of work actor who tries to become a YouTuber. She’s the archetypal millennial who was told she could do and be whatever she wanted and is now feeling like a failure. We see her experiment with making different types of videos in order to gain views and subscribers and we see the reactions she gets from her online audience. As she breaks down more and more barriers between her and her online audience, and her videos become more and more confessional, she begins to struggle in defining her own boundaries.

What inspired you to write the show?

It began in March 2017. I was actually trying to make a show about something else at the time. I devised a scene with a teenage girl (basically a teenage version of myself) recording a YouTube video. The visual set up was the same as See-Through, my back to the audience and the live footage projected on the back wall. I liked the image and the idea of an audience connecting with me through a screen instead of face-to-face.

How did you research it?

I figured the best way to research the topic was to actually make a channel and have a go (and that’s how the show began). Once I had come so far with that understanding I reached out to YouTubers and Instagrammers so I could see the platform from other perspectives.

What was the most surprising thing you found out?

Initially, it was the 2017 survey statistic that 34% of young people chose YouTuber as their top career choice. But probably the most surprising thing for me was the realisation that I also identified with that group!

We could only find 4 videos on your YouTube channel – what happened to the others?

How much of See-Through is fact and fiction is purposefully ambiguous. You’ll see in the show that I did make videos but how many or whether any at all were uploaded is unclear. Creatively, the intention behind this is to highlight our expectation of authenticity, practically it is also so I’m able to tell the story I want to tell. So, even though some of it may be autobiographical, it’s not an autobiographical show.

Why did you choose to perform with your back to the audience?

I wanted to explore empathy. Watching someone through a screen is a completely different experience to seeing someone face-to-face in the flesh. I wanted to mimic the way we interact with YouTubers online.

How has that been for you as a performer? How does it affect your response to the audience?

It was really weird at first but now I’m used to it. I still feel very connected to the audience but in a much subtler way. There’s some audience interaction in the show too, so I get to play in those moments, which is really fun.

The recurring themes in your work are new technologies, social media and sex – what fascinates you about these three areas in terms of storytelling/performance?

New technologies is a term I use for anything that’s currently being developed but has not reached significant potential yet. Things such as AI, VR, anti-ageing therapies, Cryonics etc. I can’t explain why I find these things fascinating, I guess they excite and terrify me at the same time. I find social media incredibly interesting because it’s all about fulfilling a need to be close to one another. It succeeds and fails in equal measure in my opinion. And I find that sex drives everything. To deny that in my work would feel like really missing the point.

Which social media platform could you not live without?

I could happily live without all of them (laughs).

Are there any social media platforms you’d happily see disappear and why?

I don’t mind them. I don’t think any of them are inherently ‘bad’, but they can exacerbate insecurities and suffering that is already present for sure. I think the key is just being aware of how you use them and the impact they are having on you.

See Through is at Waterside, Sale on 21 July 2019 at 7pm as part of 10-day festival, Refract.

Win two tickets to see Claire in See Through at Waterside Arts on 21 July 2019.

The post Claire Gaydon explores the pros and cons of digital sharing appeared first on Quays Life.

For a chance to win simply follow @QuaysLife on Twitter and Retweet the following tweet before 5pm on 18 July 2019.

RT and follow @QuaysLife to enter our competition to win two tickets to Claire Gaydon’s one-woman comedy ‘See Through’ about sharing and over-sharing in the digital age @WatersideArts Sale on 21 July. T&Cs apply: https://t.co/9MRZzY20aD #Competition #FreeDraw #Giveaway pic.twitter.com/DQMF4EAE9a

— QuaysLife (@QuaysLife) 16 July 2019

Terms and conditions apply – see below.

See Through is at Waterside, Sale on 21 July 2019 at 7pm as part of 10-day festival, Refract.

Read our interview with Claire Gaydon.

Competition terms and conditions:

1. This competition is run by Quays Life in partnership with Waterside Arts.
2. The Prize: Two tickets, for See Through at Waterside Arts, Sale on 21 July 2019, subject to availability.
3. The prize is as stated and no cash or other alternatives will be offered. The prize is not transferable and subject to availability.
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