The length of the run – 11 weeks at the Palace Theatre in Manchester – gives some indication of the excitement and anticipation surrounding this tour.

On Thursday’s opening night the audience had to wait a little longer, as the curtain was held-up for 10 minutes or so due to a technical hitch. But once it got started, nothing could dampen the enjoyment of this mischievous, magical and often moving musical.

Rob Howell’s set design is a complex mix of moving alphabet blocks, sliding school desks, playground swings and comic-book like home interiors. It’s a marvel it all moves in the right place at the right time as often as it does.

There are also incredible special effects and illusions by Paul Kieve. In one scene headmistress, Miss Trunchbull, a former Olympic hammer-thrower, swings a child by her pigtails and launches her into space and it’s all so fast and slick that even the adults are gaping at the illusion.

The evil, Miss Trunchbull is a big-bosomed, dame-like character whose school motto is ‘Children are Maggots’ and she delights in ‘breaking them’. Craige Els revels once again in the villainous role he played in the West End for three years from 2014 to 2017 and does a show-stopping somersault over the school’s gymnastic vaulting horse.

Rebecca Thornhill also joins the tour from the West End cast as Mrs Wormwood, Matilda’s salsa-dancing, make-up obsessed mother who chose ‘looks not books’. Alongside Sebastien Torkia as sleazy car salesman, Mr Wormwood, the pair make a deliciously vile and vulgar couple.

As the insults from the adults come thick and fast until we could feel the revolting, spit-balls of children don’t stand a chance. But young Matilda learns of another world through her reading. At five-years-old she reads everything from Dickens to Tolkien. While other parents marvel at the miracle of their children, Matilda’s parents would have her believe she’s not normal for wanting to read books.

Little do they know their daughter is a miracle in another way – she has superpowers to move objects using only her eyes. To get a child to carry such a complex and compelling role is another astonishing feat of this ambitious show. Sophia Ally’s justice-seeking Matilda is a wonderful mix of mischief and vulnerability. She is one of four young girls (Annalise Bradbury, Scarlett Cecil and Nicola Turner) to take on the role during the tour and was given a well-deserved standing ovation.

Tim Minchin’s score and witty lyrics demand some real tongue-twisters for the young cast, and never patronises. The closing song, ‘Revolting Children’ emerges like a rock ‘n’ roll anthem for any child who has felt unfairly treated at school. It is to today’s generation of youngsters what Pink Floyd’s Another Brick in the Wall was to mine. And judging by the terrific performances this young cast are capable of, we certainly shouldn’t be under-estimating the little maggots.

If you’re looking for the must-see show in Manchester this year, Matilda the Musical is it.
★ ★ ★★★

Matilda the Musical is at The Palace Theatre, Manchester from Tuesday 18 September – Saturday 24 November 2018. For details of the UK tour visit Matildathemusical.com

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This year marks 100 years since the birth of the much-loved children’s author and as part of the centenary celebrations, Birmingham Stage Company, which has produced more Roald Dahl stories than any other company in the world, is touring David Wood’s interactive stage adaptation of George’s Marvellous Medicine.

The story is a simple if fantastical one, which Wood has updated with modern-day references such as Nintendo Wii and Breakfast TV. George (Ed Thorpe) is on half-term from school. All he wants to do is rest and read his book about a wizard boy, but unfortunately for George his parents have other plans. Living on a farm there are cows to be milked, chickens to be fed, as well as bedrooms to be cleaned.

As if his fun wasn’t being spoiled enough, grandma arrives. George fantasises about having a wonderful grandma who gives him compliments, presents and plays computer games. Sadly, he has a grouchy grandma, who downs her gin in one and has him running after her every whim at the ring of a bell.

To cure his grandma of her terrifying temper, George decides to swap her medicine with one of his own making, with the audience egging him on to add more and more outrageous ingredients. This is one part where as an adult I did find myself thinking it’s maybe not such a good idea to have children playing with a mix of anti-freeze, diesel oil, bleach and hairspray – but there is a warning disclaimer at the end reminding youngsters not to try this at home.

Hopefully none of the youngsters will have a granny like this one of George’s. If she bears more than a passing resemblance to his mother this is because in real life the actresses playing the parts, Tessa and Deborah Vale, are twins. It shows how good the make-up is that they pass realistically as mum and daughter, but pity the casting director who had to make the choice which was which.

Jacqueline Trousdale’s design of a house with the front taken off works brilliantly, particularly for the scenes where granny grows and grows until she bursts through the roof.

From the start George talks to the children in the audience, making them his friends. Things liven up considerably when he starts to involve them in remembering his medicine mix and warming their hands to heat the pot.

And while George and his dad (Richard Mullins) may struggle to recreate the original concoction, their adventure has all the right ingredients for a fun-filled, family show.

George’s Marvellous Medicine is at The Opera House, Manchester from 15-19 November 2016.

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