Martin ThomassonIn a 1994 article entitled, “Discussing the Undiscussable”, New Yorker critic, Arlene Croce, explained her refusal to review a piece by choreographer, Bill T. Jones by accusing him of presenting ‘victim art’. Jones’s show, Still/Here, employed...
In a 1994 article entitled, “Discussing the Undiscussable”, New Yorker critic, Arlene Croce, explained her refusal to review a piece by choreographer, Bill T. Jones by accusing him of presenting ‘victim art’. Jones’s show, Still/Here, employed...