Twin sisters Kristina and Sadé Alleyne are the talented dancers behind the company ‘Alleyne Dance’ whose latest production, ‘Far From Home’ captures the intense struggles and emotions that come from forced migration. Kristina and Sadé, choreographed...
This year marks the 40th anniversary of Sir Peter Wright’s iconic production of The Sleeping Beauty for Birmingham Royal Ballet. Under the direction of Carlos Acosta this sumptuous production is revived to its full extravagance and splendour, living...
As the first real frost of winter sets in, it feels like even the weather has aligned to create the perfect setting for the enchanting return of Edward Scissorhands. In this dance version, Matthew Bourne’s New Adventure’s company takes the 1990 Tim...
Seeta Patel is surely the UK’s prime proponent of Bharatanatyam, the classical south Asian dance form. Whilst it is still the case that this form is less well known in this country than Kathak, that is in the process of changing, due in large part...
English National Ballet’s production of Akram Khan’s reimagining of Giselle constructs a wonderful evening of performance art at its most integrated and rewarding. The bare bones of it: Act 1: Rich boy (Albrecht) disguised as poor boy, falls for...
Ailey 2, the second company of New York’s Alvin Ailey American Dance Theatre, arrives at The Lowry mid-way through its first UK tour in over a decade. The company, celebrating its 50th anniversary this year, is renowned for giving exceptional young...
Whether it has been artists looking forward or looking back, the year 2000 has always held fascination as a turning point in our psyche. Eun-Me Ahn Dragons emerged from an idea to capture the experience of young dancers from across the Asian...
According to dramaturg, Lolita Chakrabarti’s programme note, Message in a Bottle, (the Sadler’s Wells dance show, based on the music of Sting) tells the story of one family, living in ‘a village in a country far away’ whose lives are torn apart by...
The innovative reimagining of classic stories has been an intriguing theme on the Lowry stage in recent weeks. Just last week we watched a 21st century, beatboxing Oliver Twist in Michael Rosen’s Unexpected Twist. And this week, Rudyard Kipling’s...
In a time of innovation and reinvention for Birmingham Royal Ballet – with recent announcements of a Black Sabbath ballet and BRB2, a new touring company comprised of ballet graduates – it’s good to see that the company are intent on performing the...