It’s debatable whether the world needs another Tom Ripley adaptation. The part of the amoral, art loving con man and psychopath has been played by several respected actors including Alain Delon (Plein Soleil), Dennis Hopper (The American Friend)...
Susanna marks the fourth collaboration between Leeds based Opera North and Phoenix Dance Theatre. It is a combination of art forms that still feels experimental yet is clearly emerging into something new, elevating both storytelling formats. It...
Just before the curtain goes up on this latest revival of Phyllida Lloyd’s 1993 production of Puccini’s La Bohème, Howard steps forward to remind us what a marvellous gift to the region Opera North is – providing employment for over 130...
How does a person end up sleeping rough in a hostel and spending their days camped out on a park bench asking strangers for loose change in exchange for a swift rendition of Danny Boy? More specifically, how does a woman fall so much lower rather...
There are very few times I’ve been left speechless after a performance. Watching Rambert’s recent collaboration with French company (LA)HORDE is one of them. (LA)HORDE is a Paris-based collective of artists — Marine Brutti, Jonathan...
The 90’s and noughties was a golden age for television comedy. Looking back, it’s hard to believe Father Ted, The Day Today, Knowing Me Knowing You, Big Train, The Fast Show, League of Gentlemen, Smack the Pony, The Mighty Boosh, Brass Eye, and The...
Whether you were first introduced to the Addams Family from watching the original 1960’s TV show, the early 1990’s Angelica Houston movies, any of the numerous cartoon incarnations or are recently discovering the clan through Netflix’s heavily...
By Royal Appointment may be Daisy Goodwin’s debut play, but don’t let that confuse you as to the talent and experience that has gone into this new production about the late Queen and her dressers. Although she is new to stage writing, Goodwin is a...
British Youth Music Theatre (BYMT) is the largest commissioner of new musicals in the UK, producing at least six new shows a year and developing many more. It works with the most exciting theatre professionals and hundreds of young performers. For...
To begin at the ending. The audience loved it. Sadler’s Wells’ take on the 1979 film, based on The Who’s 1973 album, Quadrophenia, choreographed by Paul Roberts and directed by Rob Ashford, has a comfortable majority of us on our feet. By “us” I...










