Martin ThomassonThe Bridgewater Hall currently represents the last time great architecture was permitted to plant foot in Manchester (Discuss). It is, in itself, a reason to visit the city – the quiet northern confidence of its burly, open-faced exterior, the...
Leos Janacek’s three-act opera, The Cunning Little Vixen, is a peculiar beast – part children’s folk tale, part tragedy, part modestly profound meditation on the cycle of life. It’s a difficult piece to mount successfully, but Opera North’s...
Carmel ThomasonOpera North returns to the myth of Orpheus for a second night at The Lowry, but this time this ancient story takes on a whole new operatic form in a collaboration with South Asian Arts UK. In a ground-breaking exploration of musical styles this new...
If ever grief was captured in a performance, this is it. Opera North’s Orfeo ed Euridice is a dramatic concert performance, where the set and costume design is stripped back, leaving the singers and music to take centre stage. That said, the stage...
This extravagant production of Verdi’s La Traviata arrives at The Lowry at the end of its run for Opera North, and this last week of shows bursts with the energy of a final hurrah. Verdi’s La Traviata (The Fallen Woman) has long been one of the most...
Alcina’s love island casts its spell on Martin Thomasson You all, of course, know the story of Alcina. She (disguised as a he) is in love with him (who sings a bit like a she), but he (who sings a bit like a she) is bewitched by her (not her...
Carmen is one of the most popular operas of all time, so it’s perhaps not surprising that Opera North chose to stage it for its comeback production after nearly two years of darkness during the Covid pandemic. As this bold new envisioning from...
The clown/jester Rigoletto is not well-liked, but is good at his job – essentially, to make fun of the vulnerable for the amusement of his boss, the Duke of Mantua, and the duke’s hangers-on. The Duke is a ruthless and incorrigible womaniser...
Opera North, in collaboration with Phoenix Dance, bring us a triple bill: two parts Bernstein with a new piece (“Halfway and Beyond”) based on a contemporary poem, sandwiched between. The evening opens with a revival of Matthew Eberhardt’s 2017...
The nice woman working security at the Lowry approaches me with her metal-detecting device.“Do you have a pacemaker,” she asks. “I don’t think so.” This is not to be found on anyone’s list of Sensible Answers. What was I thinking? That some rogue...
