Dave PorterHow does a person end up sleeping rough in a hostel and spending their days camped out on a park bench asking strangers for loose change in exchange for a swift rendition of Danny Boy? More specifically, how does a woman fall so much lower rather...
Steve TimmsIn a cine literate world, critics happily acknowledge the combined effort that goes into film production, from the contributions of the director, writer, and set designer, right down to the grips, stunt men and dolly operator. Even caterer Madge...
A huge bodhran hangs over the set of Dancing at Lughnasa like some leaden sky settling down on the inhabitants of this village in Donegal. Together with the fiddle it represents freedom from the cares of everyday life, a chance to dance and escape...
Cathy CrabbI think it would be good if one day a pop group musical could make us all believe in ourselves and go out into the ether changing our world for the better. And today, I will carry that through and try and be the best me that I can be. Because Here...
Carmel ThomasonAs soon as you walk in the doors of the Palace Theatre, it is clear why Moulin Rouge, which takes residency at the venue for the next 6 weeks, is billed a ‘Spectacular Spectacular’. This show is so spectacular you have to say it twice to grasp the...
Paul ThomasonWhether you were first introduced to the Addams Family from watching the original 1960’s TV show, the early 1990’s Angelica Houston movies, any of the numerous cartoon incarnations or are recently discovering the clan through Netflix’s heavily...
By Royal Appointment may be Daisy Goodwin’s debut play, but don’t let that confuse you as to the talent and experience that has gone into this new production about the late Queen and her dressers. Although she is new to stage writing, Goodwin is a...
Matthew Bourne’s New Adventures has grown a strong following at Lowry with innovative takes on classics like Swan Lake, Nutcracker, Sleeping Beauty and Cinderella. The company’s latest production the Midnight Bell, which premiered in 2021, comes to...
Martin ThomassonTheatrical experiences are rarely all good or all bad. Sometimes a reviewer wants to rave about certain aspects of a production, while other features leave him cold. So it is for me with this physical theatre adaptation of Thomas Hardy’s 1891...
Driftwood arrives at Lowry for the end of its tour to a sell-out audience, such is the anticipation of seeing Tim Foley’s latest work. The emotional two-hander is the second play from the Bruntwood Prize winner, whose Electric Rosary was staged at...