Dave PorterTanika Gupta’s adaptation of Great Expectations is daringly bold, transposing the action from Dickens’ usual festering slums to Bengal at the turn of the century undergoing partition courtesy of Lord Curzon and the British Empire. Along the way...
Martin ThomassonMartin Thomasson reviews the world premiere of Kimber Lee’s award-winning play at The Royal Exchange For much of its two hour running time (no interval), Kimber Lee’s Bruntwood Prize winning, “Untitled F*ck M*ss S**gon Play” is an anger...
Steve TimmsAlongside musicals and thrillers, farce remains one of the great mainstays of commercial British theatre. Why? The 1950’s Whitehall farces largely set the mould, wherein misunderstanding always trumped character and believability. And it’s a formula...
Structurally, Cat on a Hot Tin Roof has more than its fair share of problems. As Gore Vidal perceptively noted, the first act should not work: it is long and drawn out and relies heavily on exposition. And at more than three hours long, the play...
Georgina WellsAt first glance, David Eldridge’s Beginning seems like it would be more suited to an intimate studio theatre than the expansive, in-the-round main stage at the Royal Exchange – a space that has previously played host to revolving catwalks...
It does my Christmas spirit no good at all to be writing a less than warm review about a Maxine Peake project. The star of Dinner Ladies, Silk, and the rightly acclaimed post-Hillsborough docudrama, Anne (plus a glittering array of theatrical...
Gore Vidal’s nickname for Tennessee Williams was Bird, because of the way his characters were always in flight from something, usually reality. This is nowhere more in evidence than in The Glass menagerie, his first work which is being staged at the...
Steve Timms finds Nora: A Doll’s House to be a bold, impassioned piece of work and the most thrilling Exchange production he’s seen in a long time. Patriarchy is a word most people are familiar with, though may struggle to describe. So let’s...
Moses KabungaAugmented is an intimate one woman play, written and performed by Sophie Woolley, about her experience of hearing loss during her 20s. Trailer It opens in a near future; Sophie sports a blonde bob and is dressed head-to-toe in silver. As she begins...
Don De Lillo’s mid-80’s novel ‘White Noise’ featured a married couple who were as happy as two people can be. Yet both had a distressing secret neither felt brave enough to share with the other; they were terrified of death. Super Duper...