Leos Janacek’s three-act opera, The Cunning Little Vixen, is a peculiar beast – part children’s folk tale, part tragedy, part modestly profound meditation on the cycle of life. It’s a difficult piece to mount successfully, but Opera North’s...
Natasha Tripney talks to author, Malorie Blackman and director, Esther Richardson about The Pilot Theatre’s new stage adaptation of Noughts and Crosses coming to The Lowry. What inspired you to create the Noughts and Crosses series? Malorie...
If ever grief was captured in a performance, this is it. Opera North’s Orfeo ed Euridice is a dramatic concert performance, where the set and costume design is stripped back, leaving the singers and music to take centre stage. That said, the stage...
This extravagant production of Verdi’s La Traviata arrives at The Lowry at the end of its run for Opera North, and this last week of shows bursts with the energy of a final hurrah. Verdi’s La Traviata (The Fallen Woman) has long been one of the most...
A lot has changed since Deborah Moggach first introduced us to retirement Indian-style. For one, her 2004 best-selling novel These Foolish Things has become a phenomenon; changing both how we view old age and how Hollywood views it. Under a new...
Northern Broadsides’ As You Like It is the first production I’ve seen staged in the round at The Lowry’s Quays Theatre, and it’s a layout that certainly suits both venue and play. It feels more novel and intimate than a proscenium arch staging...
Six the Musical makes history again as it becomes the first West End musical to resume performances since lockdown. Toby Marlow and Lucy Moss’s histore-mix look at Henry VIII’s wives has become a global phenomenon since its early days as a student...
Kurt Weil’s dramatic opera, Street Scene was awarded the inaugural Tony Award for Best Original Score in 1947. It’s based on a play by Elmer Rice and charts the events that take place over two days in the slums of a New York district. Trailer The...
The night of Opera North’s performance of The Turn of the Screw at The Lowry was a dark and stormy one, fitting weather conditions for the Benjamin Britten opera based on Henry James’ ghostly short story. The set up is, to an extent, familiar: a...
The Turn of the Screw by Henry James is one of the most unsettling ghost stories ever written. And Benjamin Britten’s operatic version as part of Opera North’s new season at The Lowry is equally chilling. When a governess agrees to take care...