Simon A. MorrisonThere has, of course, been much debate about The Factory, not least of which is that it is no longer called The Factory. I have passed this strange, white, contemporary carbuncle developing on the side of a new concrete block on the banks of the...
There is a moment during this performance when projections – astral projections that give you the feeling you are floating in space – when I catch myself thinking … this is wonderful, but I need to focus on Ryuichi Sakamoto. Only… not only am I not...
Martin ThomassonMartin Thomasson reviews the world premiere of Kimber Lee’s award-winning play at The Royal Exchange For much of its two hour running time (no interval), Kimber Lee’s Bruntwood Prize winning, “Untitled F*ck M*ss S**gon Play” is an anger...
Carmel ThomasonAs Strictly Ballroom the Musical quicksteps into The Lowry on its first ever UK tour, it begs the question: what took it so long? It’s more than 30 years since Baz Luhrmann’s film version dazzled critics and audiences alike. And the ongoing TV...
It was 11-years-ago when I last saw the RSC perform Julius Caesar at The Lowry. What changes the world has seen since then! In this new production, Atri Banerjee brings us a very different production for a very different time. Yet Shakespeare’s...
Starring in the UK’s first ever tour of Baz Luhrmann’s Strictly Ballroom is a childhood dream come true, Kevin Clifton and Faye Brookes tell Quays Life: When Kevin Clifton was 10 years old he watched the film of Strictly Ballroom and, as...
Dave PorterThe football metaphor was just too good to pass over, I suppose. And so it goes with Vardy v Rooney: The Wagatha Christie Trial. As we enter the plush auditorium of The Lowry the crowing chants of a Saturday afternoon crowd can be heard pulsing from...
The Bridgewater Hall currently represents the last time great architecture was permitted to plant foot in Manchester (Discuss). It is, in itself, a reason to visit the city – the quiet northern confidence of its burly, open-faced exterior, the...
When the tour of new comedy The Way Old Friends Do opened in February, no-one could have imagined the next month we’d be saying goodbye to Paul O’Grady. On hearing his distinctive Scouse voice open the show audiences would probably laugh before any...
Steve TimmsAlongside musicals and thrillers, farce remains one of the great mainstays of commercial British theatre. Why? The 1950’s Whitehall farces largely set the mould, wherein misunderstanding always trumped character and believability. And it’s a formula...