Bowing out of classical ballet at age 42, Carlos Acosta has had a long and illustrious career, the kind of which most dancers can only dream. In this, his classical farewell, Acosta celebrates both his career and the art form which has brought him...
There’s always the exception that proves the rule. And when it comes to juke box musicals, Mamma Mia is it. Without a doubt, the feel-good appeal of ABBA’s disco beats has a lot to do with the show’s phenomenal success. But what elevates it above...
When American Idiot was first staged in 2010 it blasted a hole in what audiences had become accustomed to from musical theatre and particularly jukebox musicals, cobbled together from a catchy back catalogue. Six years on and it’s still as...
Joe McElderry was two-years-old when I first saw Joseph in 1993 with Philip Schofield in the lead role. I’ve lost count of the number of Josephs I’ve seen since. In recent years it’s a part usually filled by a TV talent show favourite and in this...
Having grown up in a pit village during the miners’ strike of 1984 I can relate to the story of Tinned Goods in an immediate way that brings to the surface many memories of my own. But you don’t need any connection to mining for the troubles...
I am struggling to think of a time when I’ve felt more disappointed with a play than I do now. On the face of it, I Am Thomas held much promise. It is a co-production from several excellent companies, whose previous work I have enjoyed very...
The Corrie factor just brought Beckett a whole new audience. There are many who have questioned what soap fans will make of the play. I think it’s likely they will find it as absurd and unsettling as anyone else. And if you’re searching for some...
For a solo dancer to perform a full-length show is an impressive feat and one which Aakash Odedra pulls off with ease. The last time I saw it done was the phenomenal Akram Khan, who mentored Aakash earlier in his career, and his influence can be...
Pirates of the Carabina originally came together in 2011 for a one-off commissioned performance of Flown at Glastonbury Festival. Such was the response, that more than 120 shows later, the circus is still touring worldwide. For three days we were...
It’s rare to see a spontaneous standing ovation at the Royal Exchange. I think this is partly because the intimacy of the space means the cast can see the audience clearly and those on the banquettes end up almost sharing the stage with the actors...
Carmel Thomason